Publisher’s Weekly

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“The most memorable stories work with the formula but have added depth. Mixing satiric comedy with pathos, the married dad in “Raccoons” pretends to search the garage for the titular pest. In fact he is digging for sex tapes—about which a furious woman (an affair that flamed out) has been making threatening phone calls, while he strives to maintain the illusion of being nothing but a loving husband and father.”

Russell Smith takes a darker turn in new collection

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What are you hiding from the loved ones in your life?

This is the question that Toronto writer Russell Smith explores in the stories of his new collection, Confidence. There are hidden sexual yearnings, memories of lost loves and dreams of babies and other lives that could have been lived. Everyone’s got a secret and they’re all struggling to keep those secrets hidden even as their lives fall apart, from a harried father trying to get a sex tape back to an ex-girlfriend before his wife finds out in “Raccoons” to a husband planning an amateur voyeurism site behind his wife’s back in “Gentrification.”

Listen to the podcast here

Secrets we shouldn’t share with anyone

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Everybody is hiding something, says Canadian author Russell Smith. Some secrets are enormous, others just embarrassing — and far too many are a threat to long-term, committed relationships.

For 20 years, the writer has been known for sharp and funny stories about the sex lives and naughty habits of the city’s upper crust. His latest, Confidence, zeroes in on the private lives of the aging downtown Toronto elite.

Smith joins Shad to talk shame, secrecy and his own missteps.

“People want everything at once. They want their domestic life, and they also want their wild life,” he says.

q: Do you harbour a secret that’s easier to keep than to share? Do you agree with Smith that everyone — even the open books among us — have hidden chapters? 

Listen to the podcast here

“I’m obsessed with secrets because that’s where I think story comes from. That’s where drama comes from, but I also think that everybody does have a secret.”

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Russell Smith’s writing is known for pulling no punches when it comes to taking digs at the darker side of urban life, something he says comes from a complex love-hate relationship he has with city life.

“The countryside is terribly boring to me. I like density. I think it’s because I didn’t grow up in a big city,” Smith, who grew up in Halifax, told The Early Edition’s Rick Cluff.

“I still feel a bit of wonder and marvel when I walk down the street on a Sunday afternoon and it’s packed with people — that’s something I always missed growing up.

Smith’s latest book, Confidence, is a collection of short stories that shows a darker side of urban dwellers, including mommy bloggers, PhD students, and experimental filmmakers, but he said people shouldn’t take offence to how they are portrayed.

“Satire always works that way. Satire is always making fun of something that a person comes from, a scene that a person knows, is an insider in, and that person is making fun of something that that person really, really loves.”  To listen to the whole podcast CLICK here.

An anthropologist of the urbane, top of his game & delicious darkness, sharp and sultry; he isn’t afraid to say it. Devastatinvly deadpan. (reviews)

“Whatever the reason, Confidence finds Smith at the top of his game.” — Winnipeg Free Press

“It’s a delicious darkness that pervades Russell Smith’s latest short story collection, Confidence”THIS magazine

“This is not the stodgy CanLit you were assigned in school – Russell Smith’s writing is sharp and sultry, and these characters are even more messed up than we fear we are. But below the hip, fractured surface of the people who populate these stories, there’s a longing for true connection, and flashes of vulnerability that will break your heart in the best way.”W Network

“Smith is typically referred to as a satirist, though I think his balance of contempt and compassion is too nuanced for such categorization. He plumbs the psyches of the seemingly superficial in frequently funny prose that exudes an understanding of their anxieties about ambition, class, stature and their own desirability. Smith’s credentials in this milieu are impeccable.” The Globe and Mail

“His works cover sex, prostitution, drugs and a bitingly satiric look at Toronto society. He isn’t afraid to say it like it is, a trait hard to come by for writers these days who fear inevitable online backlash in comments, reviews, et al.”Post City Toronto

Confidence reflects Smith at his best, a devastatingly deadpan chronicler of contemporary masculinity, and of social and sexual landscapes shifting tectonically like the urban spaces in which they are transacted.Literary Review of Canada